The Rundown
4th July
A group of students is visiting Israel and Palestine
Write for us: it'll look great on your CV and it's good fun, too
Students under suspicion
Sign up and be envied the world over
Win tickets to Alton Towers and £100 magic money!
Film

Members

Username:

Password:

Not a member?
What are you waiting for? Get yourself registered or find out more about the benefits.

Sponsors

My Internet Pass: prepaid internet access

The Island

Directed by the man responsible for Armageddon, Bad Boys 1 & 2 and Pearl Harbor, with Michael Bay in charge you know that you can expect a big, dumb, cheesy action movie with an overdose of popcorn-friendly stupidity and very little in the way of brains.

The Island
"This doesn't look like the Isle of Wight to me..."

Bay has, for many film buffs, become the embodiment of all that is bad in Hollywood filmmaking – glossy, superficial, entertainment by numbers. He is almost the anti-Speilberg, resolutely un-intellectual and constantly appealing to the lowest common denominator in his mass audiences. He has also, perhaps for these very reasons, been massively successful.

To Bay's credit, his films are rarely truly terrible, with even Pearl Harbor having its redeeming features in spectacular action sequences and breathtaking special effects, but with perhaps the sole exception of The Rock, they have rarely been especially great either.

They do, however, almost always achieve precisely what they set out to do – provide a couple of hours of mindless fun and action with a liberal dose of explosions, normally revolving around a fairly straightforward plot where some friends take on a powerful enemy with a bit of romantic interest chucked in for good measure.

This is, unsurprisingly, more of the same. Returning to the sci-fi genre in which he had so much success with Armageddon, Bay has turned his attention to the confusing morals of human cloning. It's a subject that has been covered by the movies many times by the likes of the thoughtfully understated Gattica and even that classic look at identity crisis that is Blade Runner. But this time Bay's taken it up a notch with the addition of rocket-powered motorbikes, massive explosions and breakneck chases.

Ewan McGregor and Scarlett Johannson live in a futuristic utopian world, a closed community of tracksuit-wearing beautiful young things most immediately reminiscent of the 1970s sci-fi classic Logan's Run, but glossily Americanised almost beyond belief. As ever, all is not quite as perfect and wonderful as it appears. As McGregor's character begins to delve into the background of their little community and of the near mythical island to which winners of the "lottery" are sent, their true position becomes clear and escape becomes the only option. In fact, it's rather surprising they didn't just call this Logan's Run and get it over and done with, as the basic plot is almost identical

Film Facts

Release: 12th August
Certificate: 12A

Thankfully, however, with the escape the film soon shifts both gear and direction, with Bay regular Steve Buscemi adding some much-needed quirkiness and humour – amidst an impressive cast that also features Sean Bean, Djimon Hounsou and Michael Clarke Duncan – as the action and effects kick into overdrive.

If there's one thing Bay does well, it's spectacle. Remember the rocket-powered motorbikes? Yep – that'll do it. Utterly stupid, yet superb popcorn entertainment.